If we are hired to film matches on a regular basis for a particular Non-League club during the course of a season, a signed agreement will be drawn up consisting of various terms and conditions. Normally, the deal is for us to film for £100.00 per match (including travel expenses to and from the ground), with unedited footage of the game being uploaded (within 24 hours of the match finishing) to an online platform of the club’s choice for their media personnel, the Team Manager & coaching staff and the Referee’s Assessor to view, download & edit themselves from there. Please note that due to time constraints, we generally no longer edit, produce & upload match highlights ourselves. Payment is made either in cash on the day of the match or by bank transfer before the next match is filmed. If the deal with the Non-League club we film for is that we retain the copyright (as opposed to giving them the SD card straight from the camera on the final whistle for them to process the footage th Most Non-League matches are generally filmed in stadiums or 'fenced-in' grounds at which there is normally a reasonable vantage point on or near the half-way line for us to use just the one camera set up on a tripod. Of course some Non-League grounds are not ideal for filming a game of football and some of our recordings are spoilt slightly by pillars obscuring parts of the pitch or by having to film matches at touchline level for various reasons. However, we always ensure that we have a clear view of both goalmouths whenever we are filming, so goals are never missed because of a pillar, a linesman or a spectator's head getting in the way ! If your club intend having every Home match filmed properly and there is no suitable vantage point, then ideally a properly-constructed gantry needs to be built similar to the one in the picture left. All matches covered since January 2014 have been recorded using a Canon XA20 and its now-upgraded model, the Canon XA11. This camera is perfect for the one-camera filming of football matches as it has a 20x optical zoom and records in AVCHD 1080p high definition with a 50 frames per second frame rate and a 28Mbps bit-rate, which is ideal for online viewing on You Tube, Vimeo and other media. If we are hired by clubs or TV companies for TV broadcasting in the 1080i/50i format though, the Canon XA11 is not really suitable and we would need to use equipment supplied by that particular TV company instead, as is the case at Ebbsfleet United who we filmed for in the National League using BT Sport’s Sony HXR-NX3 camera provided. When uploading whole match footage for Management/Coaching Staff/Referee Assessor downloading, we can convert the original camera footage down to an MP4 1080p or 720p 5-7Mbps bit-rate file so that the download can be completed very quickly (dependent on the broadband connection available). We film all matches in the same way as regards ensuring that the camerawork caters both for match highlights for the supporters and also tactical/performance analysis for the players & coaching staff. The camerawork will ensure that players will be in shot for set-pieces as much as possible (for the coaching staff to analyse), but it will also have close-ups of players when the ball goes dead. General play will be filmed as a ‘Camera One’ would film from a TV gantry for a live televised match. (I.e. Not too distant, but not close-up either). Please note that we do NOT use Artificial Intelligence/Aerial Mast or Drone camera equipment. |
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Once we have all the above information, we will then confirm the availability of a cameraman and send you a Confirmation of Booking letter by e-mail which will give you all the necessary details as to how and when to pay. |
TO BOOK US FOR FILMING YOUR MATCH, PLEASE CONTACT US WITH THE ABOVE INFORMATION |
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Your cameraman for the match will normally arrive at the venue at least an hour before the kick-off. On doing so, they will enter the ground as per the Home Team's instructions (i.e. which entrance to go in, whether to pick up a ground/press pass, which steward or club official to see regarding where to video the game from, etc.). If you are the Home Team, please ensure that our cameraman is given a team-sheet and/or a free match-day programme before the kick-off, either via WhatsApp or a printed copy, as we will require the players names and shirt numbers (and the Team Managers’ names) if we have been booked to edit & produce match highlights. |
If you are a small club without such things as a P.A. system, team-sheets for the press or even a match-day programme, it is essential that as soon as possible after the final whistle one of your club officials provides us (via WhatsApp or e-mail) with the following information regarding both teams so that if we have been booked to do so, we can produce You Tube highlights and/or full match productions of the quality that we advertise: |
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At most of the Cup Finals we film for clubs at parks' and A.F.A. level, we find that the Team Manager is normally (and understandably) too busy to write out all the above details for us, so we strongly advise clubs to appoint another club member as being responsible for providing this information. It is always best if a club can find somebody to write things down as the match goes on, especially for details such as the correct shirt numbers for players, substitutions made and the goalscoring order, as these can all be easily forgotten after a match and it is extremely difficult for us to guess which player is which if we do not have the correct shirt numbers available when we are editing the footage. This is also extremely important if you have chosen the option to have professional commentary added to your match. |
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The one-camera filming of ACADEMY SHOWCASE MATCHES has become one of our most requested services in recent years, and this is something we are keen to do more of when these matches are played between Monday to Fridays, daytime or evening. |
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